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The new color chart of abril et nature NatureColor Plex presents a range of 123 shades and the new Plex protection from own development.
P-fenilendiamina free, PPD, and with active hair protectors, NatureColor Plex get a maximum coverage and vivid and shiny colors.
NatureColor-Plex product it’s made up by dyes that develop the final color, keeping it trapped inside the hair fiber, and providing the color a permanent shade.
Cream color, flexible texture and high shades intensity.
Due to its formula, based on active ingredients, NatureColor-Plex obtains excellent on coloring and hair care:
-Permanent long-lasting color and excellent coverage.
-Easy to apply and distribute along the hair.
-Hair care during the coloring process.
-Provide hydration through natural oils and fats from plants origin.
-Improve the hair strength and its resistance to breakage through the nature.
-plex technology. Provide anti-aging and anti-oxidants actives.
-Optimal natural health protection.
Color dye without p-phenylenediamine, also known as PPD.
-Plant stem cells culture extract
Swiss apple extract that delays the aging in the hair fiber.
Hydrates the hair fiber.
-Cystine bond complex
Repair, strength and resistance to breakage.
Natural vegetable fat, with moisturizing, protective and regenerating effects for the hair.
Vitamin E, anti-oxidant and protection from solar radiation.
Seaweed extract that increases the color durability
the latest generation of hair colour products
with conditioning and emollient oils to makes more powerful hair colour and shine
colour care treatments
123 shades, intense and long-lasting
Nature Color Plex Permanent pigments
Cold tones · Warm tones · Neutral tones · Intense tones
NATURE COLOR PLEX, deep, intense and lasting color. 100% COVERAGE. Protects and strengthens hair. Very low ammonia content. High strength coloration with incredible shine. Optimal protection of hair health. With plant stem cell extract. Vibrant, resistant and intense colors. NATURE COLOR PLEX, full of relief, natural coverage. A bright color that keeps it’s shine for up to 8 weeks.
COLD BASES WITH GREEN AND BLUE PIGMENT
Avoid yellows and oranges.
NATURAL BASES N
Golden natural tones.
Lighter golden neutral tones
than the rest of the bases (beige).
Very intense tones.
COLD BASES 1 · 3 · 4 · 5 · 6 · 7 · 8 · 9 · 10 · 1.1
Neutral bases without yellow reflections. These bases by carrying blue and green
pigment will neutralize the oranges and yellows giving us natural results in the hair.
When we apply 8,9,10 tones to the cane, because contains blue, we will give more light
to that cane. The perfect result will be on natural hair without gray.
LUXE BASES 6L · 7L · 8L · 9L · 10L
Bases with more neutral and clear nuances, with less golden and beige reflections.
Special natural hair and with a lot of hair. They can be applied perfectly on gray hair.
INTENSE BASES 5.0N · 6.0N · 7.0N · 8.0N · 9.0N
Very intense bases, maximum coverage power. Having so much pigment darkens a
tone more than the rest.
Special for clients with very oily hair, very rebellious gray hair and hair with extreme roots.
These bases can also be used for barber shop since they avoid yellow highlights.
ASH BROWN 6.91 · 7.91
Moka tones with maximum cane coverage. They can be used as a base. Brown-ash
BEIGE WARM BROWN 6.12N · 7.12N · 9.12N · 10.12N
Hue shades that due to their coverage power can be used as bases with a beige
COLD ASHES 6.1 · 7.1 · 8.1
Shallow ash tones with smoke gray highlights.
NATURAL BASES (Nature Color) 4N · 5N · 6N · 7N · 8N · 9N · 10N
Bases with golden reflections. These bases are the same as those of Nature Color.
They can be applied perfectly on gray hair.
ASHES N 5.1N · 6.1N · 7.1N · 8.1N · 9.1N · 10.1N
Natural ash tones with a grayish blue dot. Neutralize and correct all unwanted
IRIDESCENT ASHES 7.18 · 8.18 · 9.18
Cold and intense ash tones to shade orange, yellow or reddish colors. Maximum
neutralization power. Bluish ash nuances. Avant-garde and trendy tones.
IRIDESCENT 7.28 · 8.28 · 9.28 · 10.28
Colors with a lot of shading power due to its lilac and blue composition. Special to
tint reds, oranges and yellows. Correct unwanted colors. Trend and avant-garde colors.
COLD GOLDEN 7.3 · 8.3 · 10.3
Neutral golden tones without yellow reflection, but golden.
GOLDEN NATURE COLOR 7.3N · 8.3N · 9.3N
Traditional natural golden tones, with golden highlights.
WARM BROWN 8.93 · 9.93 · 10.93
Brown tones with a cold golden spot. They can be used as bases.
100% coverage of difficult gray hair.
VIOLET BROWN 5.97 · 6.97 · 7.97
Cold violet browns. Maximum coverage power.
Application on natural hair and also indicated to darken roots and subsequently make
wicks or balayage. Trend tones they perfectly tint the discolored tones.
COLD INTENSE CHOCOLATES 4.90 · 5.90 · 7.90 · 8.90 · 10.90
Chocolates with violet reflection. They neutralize unwanted tones such as yellows and
oranges leaving cold but natural tones. Special for chocolates that do not tend to golden.
Very suitable color for highlights and balayage with trend contrasts.
INTENSE LILACS 7.70 · 9.70
Direct color on natural bases. Shading of unwanted colors. Maximum neutralization
power (red, orange and yellow).
On discolored bases we will get lilac and violet colors avant-garde and trend, on natural
bases we will get cold tones. They can also be used to tone.
INTENSE VIOLIN 5.7 · 6.7 · 7.75
Intensity of color with maximum pigment and very durable. Mixed with 12.0 or 12.00
will be able to make pastel lilac colors.
LESS INTENSE VIOLINS 6.7N · 6.72N · 5.22N
More natural colors with maximum coverage and very durable.
6.72N is a cherry color, mix of red with violet.
INTENSE COPPER TONES 7.43 · 8.43 · 9.43
Tones with very intense pigments to give luminosity to those coppery tones. Trend and
avant-garde tones. With predominance of the red pigment. Very flash tones.
NATURE COLOR’S REDS 7.62N · 5.60N · 6.60N
Natural durable reds. Permanent colors for maximum durability. 100% coverage.
RED FLASH 6.6 · 7.6 · 9.6
Reds of maximum intensity. Permanent + semi-permanent pigments to give a touch
of maximum intensity. These colors lose intensity with washes, leaving softer red tones.
IRIDESCENT TONES 7.21 · 8.21 · 9.21 · 10.21 · 11.21
New Colection. Colors to obtain nuances and very pearly tones without yellow
highlights. Ideal for neutralizing yellows.
11.21 and 9.21 colors to shade highlights without unwanted yellows. With little exposure
time will not alter the root.
Trend tone, very creative. Maximum intensity of pigment.
With 12.0 or 12.00 we can create pastel pink or intense colors.
NATURE COLOR COPPER
6.34N · 7.34N · 7.43N · 7.44N · 8.44N · 8.04
Natural copper. Tones bearable by their less intense nuances.
Tone 8.04 is ideal for getting wicks with coppery tones.
SAND COLORS 8.22 · 9.22 · 10.22 · 11.22 · 12.22
New collection. Gray hair coverage. Natural highlights. Trend colors.
Lightening with green pigment to neutralize unwanted colors. Neutralizes and perfectly shades light colors without reflection.
Brightening with beige hue. It is used to get light colors without being a super lighter. Perfect coverage.
Super lightening, full color base. Neutral color with a small touch of gray to give a pearly
tone. We can also use it to make pastel colors and gloss baths. With 30gr. of any other color, we will raise one tone.
SUPER LIGHTENING (BLONDE CLEANER) 12.00
When we do not want to get nuance in the blondes we will apply 12.00.Special to mix with bleaching cream from abril et nature to get lighter blondes without bleaching.
SUPER LIGHTENING (BLONDE CLEANER) 12.00
When we do not want to get nuance in the blondes we will apply 12.00.
Special to mix with bleaching cream from abril et nature to get lighter blondes without bleaching.
SUPER LIGHTNERS 12.1 · 12.1N · 12.11
Cold tones with more pigment than tones 13. Special to neutralize oranges and yellows.1 + 1, 1 + 1.5, 1 + 2 can be used according to the desired hue intensity.
SUPER LIGHTNERS 12.6, 12.7, 12.8
Cold tones that clarify golden tones very well. You can use 1 + 1, 1 + 1.5, 1 + 2 according to the desired hue intensity.
SUPER LIGHTNERS 13.1N · 13.2 · 13.6 · 13.7 · 13.8 · SILVER
Shades with cold shades with less pigment than 12. But with good shading. You can use 1 + 1, 1 + 1.5, 1 + 2 according to the desired hue intensity.